Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Amalia Lindegren
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ID: 59662

Amalia Lindegren Frukosten
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Amalia Lindegren Frukosten


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Amalia Lindegren

(22 May 1814 in Stockholm, died 27 December 1891 in Stockholm, was a Swedish artist and painter, from 1856 a member of the Royal Swedish Academy of Arts. At the age of three, she was left an orphan after her mothers death and adopted by the widow of her alleged biological father, Benjamin Sandel. Her position as a child was somewhat humiliating, as a form of charity object for the upper classes, and in her later work, her paintings of sad little girls is believed to be inspired by her childhood. Her drawings made the artist and art teacher Carl Gustaf Qvarnström include her as one of the four women accepted as students at the academy in 1849, and in 1850, she became the first woman given an art scholarship from the academy to study art in Paris, which she did at the studies of Coignet and Tissier; she also studied in D??sseldorf and Menich before she returned to Sweden in 1856, were she was elected to the academy  Related Paintings of Amalia Lindegren :. | The Virgin and Child | Lucas van Leyden | Victor St. Hill | Five Lansquenets and an Oriental on Horseback | The Kitchen t |
Related Artists:
Otto Muller
1874-1930 was a German painter and printmaker of the Die Br??cke expressionist movement. Otto Mueller was born in Liebau (now Lubawka, Kamienna G??ra County), Kreis Landeshut, German Silesia. Between 1890-1892 he was trained in lithography in Görlitz and Breslau. From 1894 to 1896 he studied at the Academy of Fine Arts in Dresden and continued his study in Munich 1898. He left Munich's academy after Franz von Stuck classified him as untalented. His early works are influenced by impressionism, Jugendstil and symbolism. When he settled to Berlin in 1908, he turned more and more to the expressionism. During this time there were meetings with Wilhelm Lehmbruck, Rainer Maria Rilke and Erich Heckel. In 1910, he joined 'Die Br??cke', a Dresden-based group of Expressionist artists. He was member of the group until it disbanded in 1913 due to artistic differences. At the same time Mueller also had contact with the artists group of the 'Blaue Reiter'. During the World War I he fought as a German soldier in France and Russia. After the war he became professor at the academy of arts (Akademie der Bildenden Kunste) in Breslau where he taught until his death on September 24, 1930. Johnny Friedlaender and Isidor Ascheim were among his pupils there. Altogether his printmaking amounted to 172 prints, in woodcut, etching and lithography. In 1937 the Nazis seized 357 of his works from German museums, since the pictures were considered as degenerate art. Mueller was one of the most lyrical of German expressionist painters. The central topic in Mueller's works is the unity of humans and nature, whereas his paintings are focused on a harmonious simplification of form, colour and contours.
Nikolaus Knupfer
(1609 - 1655) was a Dutch Golden Age painter. Knepfer was trained in Leipzig, where according to Houbraken he was apprenticed to Emanuel Nysen. He then moved to Magdeburg where he found work making brushes for artists. He stayed there until 1630, and then moved to Utrecht to work with Abraham Bloemaert. He lived with him for two years and then established his own studio in Utrecht, where in 1637 he became a visiting member of the Guild of St. Luke. He worked on the decorations of the castle Kronborg in Denemarken, and painted figures in the landscapes of Jan Both and Jan Baptist Weenix. Knepfer was a successful teacher, whose students were great painters after him, such as Jan Steen, Gabriel Metsu, Ary de Vois, and Pieter Crijnse Volmarijn.
S.T.Gill
Australian original water-colour drawings and prints b.1818-d.1880 also known by his signature S.T.G., was and English-born Australian artist. Gill was born in Perriton, Somerset, England, the eldest of five children. His father, the Reverend Samuel Gill, became headmaster of a school at Plymouth, and the son was educated first at this school and then at Dr Seabrook's Academy, Plymouth. Having moved to London, he was employed as a draughtsman and watercolour painter by the Hubard Profile Gallery, before departing for the colony of South Australia in 1839 with his parents.






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